HIM frontman Ville Valo seems totally at home sitting poolside at his hotel in L.A. Sipping tea between cigarettes, the lead singer of the first Finnish band ever to go gold in the U.S. is happy to be back in L.A. after spending months at home recording the band’s follow up to 2005’s Dark Light. Then again, if the quintet hadn’t been at home during the dark, cold winter months they might not have recorded the aptly named Venus Doom, an album that Valo describes as being “Like a trip into my personal hell to a certain extent.” The multi-layered tone of Venus Doom is something the band was striving for. “The idea to have nine songs was based on Dante’s Inferno, cause hell has nine layers, so it’s like going deeper down into hell and then coming back,” Valo says. “There are so many different vibes and moods in the album that it’s cool once you listen to it again, because you can’t absorb everything with one listen.” While that complexity hearkens back to great albums, something Valo is very aware of, it’s also a fitting attitude for a band that continues to grow up. In fact, keyboardist Burton had his first kid last year, prompting the group to record Venus Doom back at home in Finland to allow the band members more time to spend with their families. Valo, who reads a great deal for inspiration, this time turning to Scandinavian poetry, admits recording in Finland had some bearing on the tone of the record. “We recorded the album during the winter so that could be one of the reasons it sounds a bit gloomy and doomy; it’s always dark and super cold.”

"Dommin is the sound of the brokenhearted," explains Kristofer Dommin, frontman for the Los Angeles quartet that puts a very fresh spin on a very familiar pain. Dommin are inviting everyone to join them in the dark introspection that goes hand in hand with heartbreak. On their Roadrunner Records debut, Love Is Gone, Dommin delves into complex relationships, damaged psyches and much more.